Utilizing a Mac-Mini, the new Lynx un-released beta firmware, and the remarkable Sonnet xMac mini-server chassis, I was finally able to achieve the results I’d been hoping for that weren’t able to be achieved just a few months prior due to the 32-bit system limitations and the lack of cost effective stable hardware.ĭetails and a look at system latency is in the video.
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Would Multi-Rack 9.0 would be operating in 64-bit mode? When the answer to my question came back as a yes, I told them I’d love to and explained my thoughts on integration into Midas digital.įortunately at the same time, the stars aligned and a stable version of the drivers for the Lynx AES16e50 card was written in version 12.8. Bill and Udi Henis of Waves asked me if I’d like to be involved in reviewing the new Waves version 9 software. Waves SoundGrid interfaces to connect to Yamaha, A&H and MADI-enabled consoles. Built-in FireWire/USB interfaces to connect to Behringer X32, PreSonus StudioLive, Midas Venice, Mackie Onyx-i, etc.
Over the last few months, I spent quite a bit of time working with Lynx to help resolve the issues their AES16e50 card was having when used for AES50 I/O. Waves Multirack gives me access to my Waves plugins in any situation. I had seen that several people were using it live, but I wanted to be able to utilize it for a fair amount of racks with minimal latency and with the 32-bit software at the time, I couldn’t achieve the results I wanted in real time. As much as a recording rig on tour is an important item, if the AES recording rig were to fail, it didn’t have the potential of being a show-stopper.īased on those issues and the current cost of other solutions at that time, I gave up on pursuing it further, but not until after I had run some testing on Waves Multi-Rack version 8. Although once the AES50 handshake between the cards and the console had been established the rig worked fine, the Lynx AES16e50 PCIe I/O cards I were using in my system had the potential to create full-blown, in-the-red noise down every channel or not work at all if the proper steps weren’t taken first to confirm proper communication. This was nothing new to the world, and as much as it proved to work, didn’t seem like a solution I’d want to use live.
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Earlier this year, after I had figured out how to create a stable AES50 connection to my Mac Pro for recording solutions, I realized that the communication link that I had working for record and playback into my Mac could also be utilized for inserting plug-ins onto my Midas consoles.